What energy I had in those days. We went to the cardiologist, a big-name professor who had a house and office in Via Crispi. I took great care with my appearance for the occasion. Although the doctor was from Naples, he was connected with Adele's world and I didn't want to make a bad impression. I brushed my hair, wore a dress that she had given me, used a subtle perfume that resembled hers, put on light makeup. I wanted the professor, if he spoke to my mother-in-law on the telephone, or if by chance they met, to speak well of me. Lila instead looked as she did every day at home, careless of her appearance. We sat in a grand waiting room, with nineteenth-century paintings on the walls: a noblewoman in an armchair with a Negro servant in the background, a portrait of an old lady, and a large, lively hunting scene. There were two other people waiting, a man and a woman, both old, both with the tidy, elegant look of prosperity. We waited in silence. Lila, who on the way had repeatedly praised my appearance, said only, in a low voice: You look like you came out of one of these paintings -- you're the lady and I'm the maid.
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