"No more of me you knew, my love!"

Stephen Smith revisited Endelstow Vicarage, agreeably to his promise. He had a genuine artistic reason for coming, though no such reason seemed to be required. Six-and-thirty old seat ends, of exquisite fifteenth-century workmanship, were rapidly decaying in an aisle of the church; and it became politic to make drawings of their worm-eaten contours ere they were battered past recognition in the turmoil of the so-called restoration.

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