Of course, she said to herself, coming into the room, she had to come here to get something she wanted. First she wanted to sit down in a particular chair under a particular lamp. But she wanted something more, though she did not know, could not think what it was that she wanted. She looked at her husband (taking up her stocking and beginning to knit), and saw that he did not want to be interrupted -- that was clear. He was reading something that moved him very much. He was half smiling and then she knew he was controlling his emotion. He was tossing the pages over. He was acting it -- perhaps he was thinking himself the person in the book. She wondered what book it was. Oh, it was one of old Sir Walter's she saw, adjusting the shade of her lamp so that the light fell on her knitting. For Charles Tansley had been saying (she looked up as if she expected to hear the crash of books on the floor above), had been saying that people don't read Scott any more. Then her husband thought, "That's what they'll say of me;" so he went and got one of those books. And if he came to the conclusion "That's true" what Charles Tansley said, he would accept it about Scott. (She could see that he was weighing, considering, putting this with that as he read.) But not about himself. He was always uneasy about himself. That troubled her. He would always be worrying about his own books -- will they be read, are they good, why aren't they better, what do people think of me? Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet.

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